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The Bossy Teacher’s Toolkit, or, How I Learned to Shut Up and Trust the Task

  • Фото автора: Lada Krasovytska
    Lada Krasovytska
  • 7 днів тому
  • Читати 6 хв
Colourful classroom poster reading The Bossy Teacher’s Toolkit, with owls, bells and pupils working at desks in a bright classroom.

Thirty-plus years in the classroom. Let that sink in for a second.

Thirty years of chalk dust (then marker fumes), of dog-eared coursebooks and dog-tired students, of chasing every promising new idea in ELT methodology like a magpie after something shiny. And I've collected quite a few shiny things over that time.Thirty years of chalk dust (then marker fumes), of dog-eared coursebooks and dog-tired students, of chasing every promising new idea in ELT methodology like a magpie after something shiny. And I've collected quite a few shiny things over that time.

I started out obsessed with the idea of maximum authenticity, mimicking the way children absorb their first language: total immersion, no translation, no metalanguage, just meaning, sound, repetition, meaning again. Then I swung towards the communicative approach, first in its weak form (using communicative activities to practise pre-taught language, a kind of compromise with tradition), then daring to go strong (immersing learners in communication from the start, trusting that language would emerge from the doing). I fell hard for Dogme ELT, Scott Thornbury’s radical, liberating idea of “Teaching Unplugged”: no materials, no PowerPoint, just the people in the room (physical or virtual) and what they bring to it. I attended Scott’s course in 2022, in the middle of the most atrocious time imaginable, and, without exaggeration, it saved a piece of my sanity. There’s something profoundly human about stripping teaching back to its bones when everything around you feels like it's falling apart.

Then came Hugh Dellar and the Lexical Lab, where I spent a year and a half being taught — a full student-teacher immersion in the lexical approach. Those eighteen months rewired my brain. I stopped hearing sentences and started hearing chunks: fixed and semi-fixed expressions, the music of how words travel together. Hugh infected me, joyfully, irreversibly, with a sensitivity to collocations (which words reach for each other) and colligations (the grammatical patterns that words prefer to inhabit). I started to feel truly allergic to grammar in-isolation. Words aren’t lonely atoms; they live in families.

Oh, and along the way? Drama. Films. Entire lesson series built around TV series and YouTube rabbit holes. Whatever the methodology of the moment, I threw myself in.


Suit-and-tie man in a classroom gives a thumbs up while holding papers; seated people watch behind him, chalkboards in back.

And YET.

No matter which hat I was wearing, communicative teacher, Dogme facilitator, lexically-inflected storyteller, I kept catching myself doing the same thing. Steering. Jumping in. Finishing sentences that didn’t need finishing. Rushing to rescue a silence that actually needed to breathe. Smoothing over a broken exchange before the learner had a chance to fix it themselves.

I was the sage on the stage. Always. Even when I thought I wasn’t.

The hardest misconception to shake in teaching isn’t one about methodology; it’s about control. I had quietly believed, somewhere below the level of conscious thought, that I could shape my students’ thinking. That if I just guided them right, they’d arrive at the insight I had planned for them. That the lesson was essentially a vehicle for my expertise to travel into their heads.

When that penny finally dropped, and it fell slowly, painfully, over many years, I had to rebuild my understanding of what I was actually there to do.

I’ve changed my mindset. But I’ll be honest with you: I still catch myself backsliding. Still feel the itch to paraphrase a student’s half-formed thought “helpfully.” Still want to cushion the silence, spoon-feed the phrase, nudge the conversation towards the conclusion I saw coming ten minutes ago. Old habits don’t die; they go underground and occasionally resurface, waving.

So I started looking, deliberately, practically, for approaches that would structurally prevent me from being bossy. Not just reminding me to step back, but building the step-back into the lesson architecture itself.

And that’s how I found my first real remedy.


Enter Task-Based Language Teaching


Green chalkboard graphic reading Enter Task-Based Language Teaching with a pencil, suggesting an educational mood.

To be precise about the terminology: Task-Based Language Teaching (TBLT) is an approach, not a single method, not a technique. It sits at the level of principle, offering a theory of how language is learned and a framework for how lessons should be designed. Its most recognisable classroom shape is the task cycle: a pre-task phase, the task itself, and a post-task focus on language form. But its soul is a conviction about what learning actually is.

On 27 June, at our PAELT workshop, I demonstrated exactly this. I asked a group of university teachers, whose enthusiasm and generosity of spirit I am still slightly in awe of, to do something uncomfortable: leave their teacher hats at the door. Just for a while. Step into students’ shoes.

The task? “The Price of Success.” They met Dr Olena, 38 years old, Associate Professor of English, who had fifteen years of work crystallise into a dream job offer in Western Europe. Four times her current salary. A professorship. And a 48-hour deadline. Her husband can't leave Ukraine. Her children speak no other language. The family sleeps in the corridor during air raids.

Knowing this price, would you still choose success, and would you change the definition of success you’ve been using?

For forty minutes, those teachers didn’t teach. They argued, weighed up, disagreed, went quiet, changed their minds. And the conversation was theirs, unmistakably theirs, not mine. I didn’t steer it. I didn’t need to. The task did the work.

Then we switched hats back and dissected the lesson together: what were the benefits, where might it go wrong in a university context, what is the teacher’s role when a task is running, how transferable is this to your students, your classroom, your constraints? It was, I think, a pretty enthusiastic and promising kick-off to our series of workshops on methodological tools for our teaching community.


What Actually Is a Task? (Rod Ellis Explains It Better Than I Can)

My own fascination with TBLT started with watching a webinar by Rod Ellis, one of the field’s most insightful and persuasive voices. I’ll leave the link below, it’s my definite pick for your CPD this summer. But because I’m a visual and kinaesthetic learner who needs things to stick, I made this into a poster. Here’s what I needed to remember:


Infographic poster titled What Actually Is a Task? by Rod Ellis, with a compass and 10 TBLT points on navy and gold background.

TBLT in Plain Sight — 10 Things Worth Pinning to Your Wall

1. A task is not an exercise. An exercise focuses on using language correctly. A task focuses on doing something with language. The difference sounds small. It isn't.

2. Every real task satisfies four criteria. → Primary focus on meaning and message -making (not on accuracy) → A gap to bridge — either an information gap (I know something you don’t) or an opinion gap (we need to decide something together) → Learners use their own linguistic resources, whatever they have, however imperfect → A communicative outcome that doesn’t just ask “was the language correct?” but “did something get communicated?”

3. Tasks come in families. Real-life or pedagogic. Input-based (listening/reading) or output-based (speaking/writing). Closed (one right answer) or open (many possible answers). Here-and-now (information visible) or there-and-then (information recalled). Focused (targeting a specific form) or unfocused (free-range language). Teacher-generated or, most motivatingly, learner-generated.

4. The same task can serve very different proficiency levels. A beginner might say: “Oranges?” “No. No oranges.” An advanced learner might say: “I wonder if you have any oranges today?” “I’m afraid I’ve sold out.” Same task. Same communicative purpose. Wildly different language.

5. TBLT is not PPP with a task bolted on at the end. Task-Supported Language Teaching (TSLT) follows the present–practise–produce model: teach the form, drill it, then use it in a task. TBLT inverts the relationship: the task drives the learning, not the other way round. The language that emerges belongs to the learner, not the lesson plan.

6. Incidental acquisition is the engine. TBLT doesn’t aim to teach specific forms intentionally. It creates conditions where learners pick up new language while doing things, and, crucially, where they gain greater control over language they’ve already partially acquired. Learning a language isn't only about what's new; it's about deepening your grip on what's half formed.

7. Focus on form is not the same as form-focused instruction. In TBLT, attention to language form is not pre-planned; it arises from the task. The teacher notices an error and recasts: “He pass his house.” → “He passed his house?” The learner self-corrects. Small moment. Significant effect.

8. Silence during a task is not failure. It's thinking. (This one is for me. Personally.)

9. Open tasks — opinion-gap tasks — develop something beyond grammar. They develop interactional competence: the ability to negotiate meaning, hold the floor, change your mind out loud, disagree diplomatically. This is what higher education actually needs from its graduates.

10. Watching students do tasks is the only honest assessment of communicative development. In traditional teaching, you never quite know if the lesson landed. In TBLT, you watch. You find out.

Watch it. It’s the kind of talk that makes you want to go back to your classroom and tear up your lesson plan in the best possible way.

Because here’s the thing I keep coming back to after thirty years: the most sophisticated thing a teacher can learn to do is to make themselves unnecessary, just long enough for the student to discover they didn’t need rescuing after all.

Next in the series: more methodological tricks, more honest confessions, more tools for those of us still recovering from being the sage on the stage.




 
 
 

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